My sketchbook is a space for experimentation and process. It is where I test ideas, explore materials, and develop visual language through drawing, collage, writing, and image-making. I am interested in mark-making as a way of thinking—allowing intuition, repetition, and accident to shape the work.

This ongoing exploration supports my photographic practice, informing composition, metaphor, and the construction of images. The sketchbook becomes a place where uncertainty, fragmentation, and discovery are embraced, opening new ways to see, feel, and communicate psychological states.